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Piranha Press, an imprint of DC Comics from 1989 to 1994, was a response by DC to the growing interest in alternative comics. The imprint was edited by Mark Nevelow, who instead of developing comics with the established names in the alternative comics field, chose to introduce several unknown illustrators with an eclectic and diverse line of experimental graphic novels and stories. Unusual for the time, Nevelow succeeded in getting DC to agree to contracts giving creator ownership to writers and artists.
Artist-writer Alec Stevens was the first creator to sign a contract with Piranha Press in September 1988, and his graphic novels The Sinners and Hardcore followed in June 1989 and January 1990, respectively. A third book, A Winter Within, was verbally agreed upon, but a contract never materialized.
Piranha's most successful title was Kyle Baker's Why I Hate Saturn which had multiple printings. Beautiful Stories for Ugly Children, a 32-page monthly anthology of Dave Louapre's stories, illustrated by Dan Sweetman, had a 30-issue run from June 1989 to September 1992. Humor series of note were John Blair Moore's Invaders from Home!!!, Marc Hempel's 120-page Gregory, and Epicurus the Sage by William Messner-Loebs and Sam Kieth.
Other Piranha writers and artists included Gil Ashby, Mark Badger, Glenn Barr, Charlie Boatner, Damon Cardwell, Tim Conrad, Michael Davis, Gerard Jones, Jon Hammer, Alison Marek, Douglas Michael, Steve Parkhouse, and Jennifer Waters.
In early 1991, Nevelow left the company."Newswatch: Nevelow Leaving Piranha", The Comics Journal #140 (Feb. 1991), p. 13. With his departure, the imprint began to drastically change its editorial direction in an effort to attain the commercial success that largely eluded them.
Piranha's last published comic was the one-shot Prince and the New Power Generation: Three Chains of Gold, which came out in 1994. The imprint was shut down shortly thereafter, replaced by the new imprint Paradox Press. Howard Cruse's Stuck Rubber Baby (1995) was a project that began with Piranha Press. The book took so long for Cruse to draw, however, that it was later published under the Paradox Press imprint by editors Andy Helfer and Bronwyn Taggart, with design by Robbin Brosterman.
target="_blank" rel="nofollow"> "The Long and Winding Stuck Rubber Road"
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